Analysis of Albert Bierstadt's "The Rocky Mountains, Lander's Peak"

The mountains of endless boundaries transcended the background to the heavens as the water and cheer make believed its tangibility. Dispositions of miniature allowed an elaborate portrayal of the perfect environment. Albert Bierstadt, a German-born, American artist, had the ability to convey such beauties of nature and its adorn finished his mental pictures. In 1863, through a premier in the ? newfound York Sanity Fair?, his painting, ?The Rocky Mountains, Lander?s poster?, provided a different outlook on the American West. As a region styled artist, Bierstadt utilized oil-based paint on piece of paper in such a way that permitted his audience to not lone(prenominal) see nature, simply to feel it as well. The variation of colour he used constructd an outstanding display of nature that I never thought possible. I believe his purpose was to create imagery, an illusion to the audience, as if they were looking into the American West, through his painting. The entity of cl ean-cut was the key element of this painting. The form of a fine grace soak up amid a mass of water allowed the separation of the human beings and the heavens. What is intriguing about the painting is that as quickly as the earth and heaves were separated, the two joined once once more at the same location. The reflection of the lake elaborated on the artlessness of the water and the richness of life. The contrast of dark and neat color in served a great importance in his painting. Bierstadt created the perfect incline of dark to light colors from confrontation ends of his painting. Established on land, the hue of darkness swept into the lake, but the color was simply to be amplified by the light created from the sky. This line amid the water plays a powerful role in the painting where the two opposites allude to form a... If you want to get a full essay, come in it on our website: OrderCustom Paper.com

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