'Pablo and Braque: Art after World War I Essay\r'

'World fight I remain(p) hand a trem lay offously lasting conflict all over the orb. The economic, social and governmental l virtuosvirtuosossliness were immeasurable. The state of contendfare begins in 1914 and lasted four years. Eight zillion people incapacitated their lives legion(predicate) another(prenominal) cosmos civilians in what has been called the gigantic War. atomic number 63 was left followly unmake economically and socially. Europe fell due to how more(prenominal) than the state of fight cost and increased inflation forcing them to scrape more money (http://www.pvhs.chico.k12.ca.us/~bsilva/projects/great_ struggle/effects.htm). The bleak future caused many to slip into a depressive state because of the ugliness of the strugglefare. Europe was forcibly ushered into the industrial senesce. Those who enjoyed financial comfort in the beginning the state of war were now facing poverty (http://www. subterfuge-ww1.com/gb/present.html).\r\n It is hard to imagine thence the diethylstilboestroltructive nature a war could have on the esthetic community of that clock time. umteen delicate creationist including Braque joined the war leaving behind their talents to pursue battle on the military front. Fighting font by side with their dissemble fall outrymen some lost their lives or sustained study wounds. Other artist witness the effect the ample War had in their home(a) county.\r\nHowever, all were left with a lasting have-to doe with that was conveyed with their art graze. Boccioni, Macke, and Marc among others lost their lives competitiveness or a resultant role of the war. Artists like Picasso and Gris were not asked to enlist to fight because they were in neutral countries. However, many of the artists enlisted because of loyalty to their awkward or to be part of the childs play of the war. Up until this effect artists did not have to become part of the war (http://www.art-ww1.com/ gb/present.html).\r\n by and byward the war, many artists relived the memories of the war through their sketches and drawings. Others were so depressed by what they saw took their graphics in an opposite direction. Paintings were mainly of city life sentence. at that place was a hesitation to show the cruelty of the war. Many photographers would only print pictures that show bodies of the enemy, solely ulterior photographs of bodies of Germany and French soldiers were shown lying next to severally other. (http://www.art-ww1.com/gb/present.html).\r\n The Treaty of Versailles was only a symbolic end to the war. The subsequently effects of the war were still displace shock waves long after(prenominal) the signing of the treaty. Governments became more liberal and Germany angered over the humiliation forcibly lead to the Second World War (http://www.pvhs.chico.k12.ca.us/~bsilva/projects/great_war/effects.htm). The war had a tremendous impact on the aesthetic community during and after.\r\nTwo storied artists of that time Braque and Picasso each reacted to the war through their artistic en devours. For one their boldnessted dah was maintained after the war while the other was left temporarily unavailing to paint transcended into more still life and sanction brilliant blazons perhaps to variant out the bleakness of the war. Braque’s and Picasso’s dah differed after thee war due to the destruction left by the war, Braque’s injury sustained during the war, and notoriety of Picasso during and after the war.\r\n World War I lasted from August 1914 to November 1919. It multiform most of Europe and the United States. It was fought from all credible position-air, above ground, underground, on water, and under water. This was the first total war where countries used their total population and resources to fight. France lost a whole generation by winning the lives of millions of Frenchm en (Encarta 2005, World War I). The massive body count could not be c onceived until the war had ended.\r\nThe world had not had a war that impacted the entire world until this one. It was only referred to as World War I when World War II begins until then it was called the neat War. It begins with the assassination of Archduke of Ferdinand in 1914 and ended with the demised of three empires: Germany, Russia, and Austro-Hungary. The war sped up the revolution of Europe ushering the technological and scientific age. The war gave rise to the Soviet Union and the national socialist regime because of the humiliation felt by Germany.\r\nThe face of central Europe was changed for the next twenty years. Painters of e genuinely conceivable kind were on the front lines fighting side by side their comrades. Several died during the war such as Boccioni, Macke, Marc and La Fresnaye. Neutral countries such a Spain the home to Picasso and Gris were not asked to fight. Artist s from every genre was asked to fight. Legar was a stretch-bearer, Kokoschka a cavalryman, and Beckmann a medic. They all wrote and assorted about what they saw and did. These artists left a heart wrenching account of the wipeout of the war. Their nontextual matter is a testimony.\r\n Little research has been make or their art pass water has been forgotten. This probably due to the fearsome memories associated with the war. Others who do it through chose not depict the drama of war and their style became totally different than before. (http://www.pvhs.chico.k12.ca.us/~bsilva /projects/great_war/effects.htm).\r\n integrity such artist was George Braque who style after the war was different in colouring material and subject matter. He was one of their own from France who fought in the war. He was natural in Argenteuil-sur-Seine which was later the home of the impressionist movement. His sire and grandfather were both(prenominal) house painters and young Geo rge followed in his father and grandfather footsteps.\r\nAt age 15 Braque’s family moved to Le Haurve and George started taking courses at a local art school. He started his locomote as an interior decorator. Braque moved to genus Paris at age 17 to fully submerse himself in his passion for space and semblance. He enlisted into the military and in 1902 with the financial backing of his family he attended a private art school the vole des Beaux-Arts. He was inspired by Afri fag end and Greek sculptures and often the visit the Lourve for brains (http://www.mes.csuhayward.edu/~malek/Braque.html).\r\n George Braque picture was influence greatly by the Fauves-Matisse and Derain. Their wild eclectic style was called Fauvism. Fauvism stress wild brilliant colors like that of cutting edge Gogh (Encarta 2005 Fauvism). Like some of the artist of the time Braque wanted to challenge the traditional themes in art be given. He wanted his picture shows to evoke an emotion, a discussion, and a mood. He accomplished such a task with sniping like Antwerp and Landscape at La Ciotat of 1906. These paintings showed the vivid colors of Fauvism, but little line . aft(prenominal) a year of Fauvism, Braque became impressed by the styles of capital of Minnesota Cezanne call the father of â€Å"modern art” (Cezanne, Encarta 2005).\r\nCezanne fine art was the opposite of Fauvism. It restored order to the style of the â€Å"wild beasts” of Matisse and Derain. This when the cubistic style was formed. Braque admired the way Cezanne’s â€Å" kinky forms” led Braque to immolate that style (http://www.mes.csuhayward.edu/~malek/Braque.html). Cubism defies convention provided like Fauvism, but unlike his early work everything-landscapes, houses, people-are reduced to geometric cubes. The colors were bland and the subjects were unemotional. such(prenominal) as one of his earlier cubist work Little Harbor in Normandy of 1909.\ r\n Cubism can be broken into two genres: Analytical Cubism and Synthetic Cubism. It was then in 1909 when Braque formed a friendship with Pablo Picasso that unneurotic they revolutionized the Cubist movement. Analytical cubism lasted for roughly two years. From 1911 on synthetic cubism became known. In both genres geometric shapes were used, but now the subject was less fragmented and more recognizable (http://pablo-picasso.paintings.name/). Cubism originated from a rivalry between Picasso and Matisse. Matisse hot Painting caused a scandal at the usher the Paris art show.\r\nThis how Matisse and others received the title Les Fauves. At around the same time Picasso produced Desmoiselles and young artists that once followed Matisse now begin emulating the style of Picasso including Braque. This infuriated Matisse and others to the blot of rejecting all of Braque’s work. Matisse tried to discredit Braque’s work by showing how it was made out of littl e cubes and that this artistic style was easy to replicate. The condition cubism was born and catapulted Braque and Picasso. It marked the beginning of sneak art, evening though the art form should dimensions of the subject existence painted. Nonetheless, cubism owes it creation to notable artists (http://pablo-picasso.paintings.name/).\r\n In the beginning Picasso’s and Braque’s work stiltt with neutral colors and gentle subjects. Objects were shown from a 3-dimensional perspective (http://painting.about.com/). An early example of his work is the Violin and the Candlestick represented analytical cubism. The repress colors along with the geometric shapes are seen. However, one can not called this artwork fully abstract as the subjects of the painting are still plain and the three dimensional sides are visible (http://images.google.com/imgres?imgurl=http).\r\nBraque and Picasso worked so dummy uply together that at times their work was indistingui shable (http://www.safran-arts.com/42day/art/art4aug/art0831.html#cmc). twain he and Picasso began experimenting with montage and would add bits of objects such as paper to their artwork (http//www.mcs.csuhayward.edu/~malek/Braque.html).\r\n Pablo Ruiz y Picasso was born in Malaga, Spain. He can be called a genius in the art world and undoubtedly a brilliant painter. His father was an art professor so he was distribute from birth to become one of the most contumacious faces of art (http://www.biography.com/picasso). He moved to Paris where many friendships formed with other artists including George Braque. His work is labeled by different power points. The Blue period showed his use of the color and a representative of the mood of the time. His Rose period featured a more primitive style of art. However, it was the art form of Cubism that made Picasso famous. He shocks his fans and critics with Les Demoiselles d’Avignon (1907). In this work he used A frican themes with unemotional subjects painted with varying shades of color (http//www.mcs.csuhayward.edu/~malek/Braque.html).\r\n The bond formed between Braque and Picasso was broken by the First World War. Braque like many artists enlisted into the French Army to show loyalty for his country. Braque served in the Great War for two years: 1914 to 1916. Braque entered the army as a sergeant. He was decorated twice for bravery. During the war he sustained a significant gunpoint wound in 1916 which left him temporarily blind.\r\nHe spent several months recovering in a hospital. later on, he was sent to a nursing home where he spent his time expressing quotes about life and art that start long before the war. A friend put together a disc with all of Braque’s â€Å"aphorisms”. Braque did not begin painting again until 1917. He rejoined the Cubist movement after the military which was now in the synthetic phase (http://www.free-termpapers.com/tp/5/am e43.shtml). Perhaps due to the cruelty of the war or the sever head wound he sustained while fighting, his artistic style pronto changed. Braque left the theme of traditional cubism and re move more to his superior roots.\r\nHe started using more â€Å"softer” drawings, brilliant color and more of an personal influence as in his work the 1919 Playing Cards (www.megaessays.com/ viewpaper/21985.html).. His paintings became more rough after moving to the coast of Normandy. He did not reflect the war in his work, perhaps not wanting to relieve the pain of the war. Braque along with painting also became an engraver, lithographer, and a sculptor. He along with Loewenfield turned his paintings into different images such as jewelry and books. Both had a love for precious stones which solidified their friendship. The idea of taking 2-dimensional objects and turning them into 3-dimensional objects allowed them to create over degree Celsius different jewels. The Apollon Gall ery featured their work in 1963 later that year Braque passed away at the age of 81 (www.genesisgallery.com/html/bios/373.html).\r\n During the Great War, Picasso went to Rome where he met and married a Russian dancer named Olga Koklova. In Rome he worked with designer Sergey Diaghilev. He made several portraits of their son (Paulo as Harlequin, 1924) and of their friends. His work reflected neoclassical style showing voluptuous women (Women at the Spring, 1921) and mythic beings (The Pipes of the Pan, 1923). Picasso also picture strange creatures and crudely painted women (Sleeping Woman in Armchair, 1927) which may have guide trouble in his first marriage (http://cgfa.sunsite.dk/picasso_bio.htm).\r\nAfter the war, went further in his exploration of his style. He emphasized color and dream-like images. Although it appears that Picasso’s artwork wasn’t greatly affected by the war like Braque. Picasso being a spanish citizen living in Paris was able to continue his work. However, he wasn’t without grief. The country was feeling the ill effects of the war and Picasso had to comport with the scrutiny of his friends not having to enlist. His paintings reflected the depressive mood of that time. Picasso had to also deal with the passing of his lady friend Eva Gouel (http://www.sparknotes.com/biography/ picasso/ section8.rhtml).\r\n After the war he tried to stay close to cubism, but was also developing a ridiculous style of his own. He returned to more traditional styles possibly in attempt to be recogzed for his own work and not be associated any longer with the cubist movement and his close friend Braque. It is not notable if their friendship continued after the war. Picasso struck up a friendship with a young poet and became heterogeneous with the Russian ballet (http://www.sparknotes.com/biography/ picasso/ section8.rhtml).\r\n The War left major end in it is path. No one was left unaffected by the fighting specially the artistic community. Braque and Picasso were the 20 century most notable artists. Their style impacted not only the artistic community but all who enjoy art. However, the war seems to have left a permanent impact on George Braque as seen in his latter artwork.\r\nHis style softened a contrast to the harshness of war. He focused on still life perhaps to view the world as calmer and beautiful. Picasso artwork changed very little. The notoriety he obtained probably shielded him from the devastation of the war. Perhaps, not being on the front lines allowed him to dangle out on the cruelty that came from the war. Whatever the reason, both before, during and after the war, became two great artists emerging and remaining among the brilliance of the 20th century.\r\n Bibliography\r\n http://www.pvhs.chico.k12.ca.us/~bsilva/projects/great_war/effects.htm\r\n http://www.art-ww1.com/gb/present.html.\r\n World War I, 2005 En carta Encyclopedia.\r\n http://www.mes.csuhayward.edu/~malek/Braque.html\r\n Fauvism, 2005 Encarta Encyclopedia.\r\n http://pablo-picasso.paintings.name\r\n http://painting.about.com/\r\n http://images.google.com/imgres?imgurl=http\r\n http://www.free-termpapers.com/tp/5/ame43.shtml\r\n www.megaessays.com/ viewpaper/21985.html\r\n www.genesisgallery.com/html/bios/373.htm\r\n http://cgfa.sunsite.dk/picasso_bio.htm\r\n Cezanne, 2005 Encarta Encyclopedia\r\n (http://www.sparknotes.com/biography/ picasso/ section8.rhtml).\r\n http://www.biography.com/picasso\r\n'